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The twelve signs of the zodiac, like the Govenors of the lower worlds, are symbolized by the twelve lines of the four triangle — the faces of the Pyramid. In the midst of each face is one of the beasts of Ezekiel, and the structure as a whole becomes the Cherubim. The three main chambers of the Pyramid are related to the heart, the brain, and the generative system — the spiritual centers of the human constitution. The triangular form of the Pyramid also is similar to the posture assumed by the body during the ancient meditative exercises. The Mysteries taught that the divine energies from the gods descended upon the top of the Pyramid, which was likened to an inverted tree with its branches below and its roots at the apex. From this inverted tree the divine wisdom is disseminated by streaming down the divergine sides and radiating throughout the world. The size of the capstone of the Great Pyramid
cannot be accurately determined, for, while most investigators have
assumed
that it was once in place, no vestige of it now remains. There is a
curious
tendency among the builders of great religious edifices to leave their
creations unfinished, thereby signifying that God alone is complete.
The
capstone — if it existed — was itself a minature pyramid, the apex of
which
again would be capped by a smaller block of similar shape, and so on ad
infinitum. The capstone therefore is the epitome of the entire
structure.
Thus, the Pyramid may be likened to the universe and the capstone to
man.
Following the chain of analogy, the mind is the capstone of man, the
spirit
the capstone of the mind, and God — the epitome of the whole — the
capstone
of the spirit. As a rough and unfinished block, man is taken from the
quarry
and by the secret culture of the Mysteries gradually transformed into a
trued and perfect pyramidal capstone. The temple is complete only when
the initiate himself becomes the living apex through which the divine
power
is fused into the diverging structure below. . . . The Great Pyramid
was
not a lighthouse, an observatory, or a tomb, but the first temple of
the
Mysteries, the first structure erected as a repository for those secret
truths which are the certain foundation of all arts and sciences. It is
the perfect emblem of the microcosm and the macrocosm and, according to
the secret teachings, the tomb of Osiris, the black god of the
Nile.
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Figure
4: Sowande's Paradigm of Africentric Curricular Holism